Bradley Taylor

Bradley Taylor trained in the historic Swiss watchmaking town of Le Locle, enrolling at the Korpela & Hofs Watchmaking Competence Centre under the mentorship of Henrik Korpela after passing his bench test. He completed his watchmaking diploma in 2015 through the program's 4,500-hour curriculum, developing what would become a defining interest in micromachining and traditional watchmaking, and designed and built his own prototype movement for his graduation watch before returning to Canada. After graduating he worked in after-sales service, completing manufacturer certifications including Patek Philippe's Level II training in Geneva — grounding him thoroughly in the servicing and restoration of high-end and vintage timepieces. In 2017, together with a former watchmaking-school classmate, he co-founded Birchall & Taylor, introducing the Reference 1 and 1R models and forging relationships with established names including Donzé Cadrans for enamel dials and movement manufacturer Vaucher SA. In 2020 he moved west to Vancouver and opened his own workshop under his own name, before relocating again in 2023 to a new workshop in North Vancouver, where he spent months restoring his own rose engine lathe so he could undertake guilloché work himself in-house.

Bradley Taylor's work is organized around three model lines. The Paragon, introduced in 2020 in collaboration with the world-class dial-maker Comblémine, is an elegant three-handed time-only watch distinguished by hand-polished purple hands. The Lutria followed in 2022, a two-handed watch carrying guilloché patterns inspired by the coastal character of his adopted West Coast home. The newest line, ARDEA, debuted in 2026 as Taylor's first watch built around a fully in-house movement and dial: Calibre 475RS, featuring a retrograde seconds complication of his own design, a solid gold gear train, and a depletion-gilded silver guilloché dial, with applied numerals machined from solid platinum — a detail believed to be a first in watchmaking. In early 2026 Taylor was also awarded the Horological Society of New York's Independent Watchmaker Grant.

Taylor describes his approach to watchmaking as treating watches as emotional objects first: while deeply committed to function and technical performance, he prioritizes beauty and design above all else, drawn specifically to the kind of creative problem that has no single correct answer — only the response it provokes in the person wearing it.